O somma luce

剧情片O somma luce由Giorgio Passerone 倾情出演，豆瓣评分0分，2010 年在法国地区火热播出，影片导演为著名的让-马里·斯特劳布 ，剧情片O somma luce剧情讲述了：

　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
　　“The end of paradise on earth.”—Jean-Marie Straub
　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
　　The mise en scène of what words exactly?
　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
　　Is “Straubie” Greece?
　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

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1、高分电影大全-免费影视剧观看网站 影迷：《O somma luce》作为 2010 推出的作品，在导演 让-马里·斯特劳布 的打磨下，故事节奏张弛有度。整部作品围绕普通人的命运展开，搭配演员 Giorgio Passerone 细腻的演绎，把人物内心的挣扎与成长刻画得淋漓尽致，搭配极具氛围感的画面，看完之后久久回味，是一部值得静下心品味的 剧情片 佳作。

2、百度影迷：翻看 2026-02-06 20:14 更新的这部作品，让-马里·斯特劳布 的叙事手法十分独到，Giorgio Passerone 一众主演的对手戏火花十足。可以看出主创团队的用心，没有过度炫技，而是踏踏实实讲好故事，不管是人物塑造还是情节铺垫，都把该类 剧情片 该有的质感完整呈现出来。

3、腾讯影迷：《O somma luce》来自 法国，导演 让-马里·斯特劳布 很懂得调动观众情绪，Giorgio Passerone 把角色的悲欢演绎得入木三分。结合 其它 的台词演绎，没有浮夸狗血的桥段，用平淡的叙事戳中人心，作为 剧情片 题材，跳出了同类作品的俗套框架，观感十分舒适。

4、芒果影迷：《O somma luce》由 让-马里·斯特劳布 掌舵，Giorgio Passerone 领衔出演。　　转自：http://www.filmlinc.com/nyff/2010/.. 剧情层层递进，人物弧光完整，服化道也高度贴合 2010 对应的时代背景，作为 剧情片，能感受到整个剧组满满的诚意。

5、B 站影迷：这部 剧情片《O somma luce》，法国 的创作团队实力不俗，导演 让-马里·斯特劳布 擅长捕捉细微的情绪，Giorgio Passerone 的表演没有刻意煽情，却处处打动人心。镜头语言克制高级，搭配地道的 其它 对白，抛开部分小瑕疵，整体完成度很高。